The official website of educator Jack C Richards

Difference Between Task, Exercise, Activity

Question:

Submitted by Jayanta Das, India

What is the difference between a task, an exercise and an activity?

Professor Richards Responds:

These terms are understood differently depending on who defines them. I use them as follows:

An exercise is a teaching procedure that involves controlled, guided or open ended practice of some aspect of language. A drill, a cloze activity, a reading comprehension passage can all be regarded as exercises.

The term activity is more general and refers to any kind of purposeful classroom procedure that involves learners doing something that relates to the goals of the course. For example singing a song, playing a game, taking part in a debate, having a group discussion, are all different kinds of teaching activities.

A task is normally defined as follows:

  • It is something that learners do, or carry out, using their existing language resources or those that have been provided in pre-task work.
  • It has an outcome which is not simply linked to learning language, though language acquisition may occur as the learner carries out the task.
  • It is relevant to learners’ needs.
  • It involves a focus on meaning.
  • In the case of tasks involving two or more learners, it calls upon the learners’
  • use of communication strategies and interactional skills.
  • It provides opportunities for reflection on language use.

Autonomy

Question:

Submitted by Gethomil, Poland

Is autonomy an approach or a method?

Professor Richards Responds:

The notion of learner autonomy is neither an approach or a method but it really a philosophy or set of principles that can be used in association with different approaches and methods, and may influence how they are implemented in the classroom. The notion of learner autonomy means shifting the focus from the teacher to the learners. This means involving learners in decisions concerning setting objectives for learning, determining ways and means of learning, and reflecting on and evaluating what they have learned.Autonomous learning is said to make learning more personal and focused and consequently to achieve better learning outcomes since learning is based on learners’ needs and preferences . Benson has suggested five principles for achieving autonomous learning:

  1. Active involvement by students in their own learning
  2. Providing options and resources
  3. Offering choices and decision-making opportunities
  4. Supporting learners
  5. Encouraging reflection

In classes that encourage autonomous learning:

  • The teacher becomes less of an instructor and more of a facilitator.
  • Students are discouraged from relying on the teacher as the main source of knowledge.
  • Students’ capacity to learn for themselves is encouraged.
  • Students are encouraged to make decisions about what they learn.
  • Students’ awareness of their own learning styles is encouraged.
  • Students are encouraged to develop their own learning strategies.

Error Analysis

Question:

Submitted by Chiara Bauer, Italy

What concrete and specific advice would you give me, an EFL teacher, which is based on the findings of error analysis?

Professor Richards Responds:

I don’t think there are any specific suggestions that result directly from error analysis. Error analysis has largely been replaced by other kinds of research in the field of Second Language Acquisition. However one of the general conclusions that developed out of early work in error analysis was that errors are not necessarily signs of faulty learning, but are indication of a creative- construction process at work as learners test out hypotheses and abstract the underlying rules and principles that accounted for language knowledge. Teachers were encouraged to spend less time on correcting errors and trying to elicit error-free production, and more time on providing rich, meaningful input for learning. However there is a stage when persistent errors need attention in case they lead to fossilisation. Here error analysis may be useful, providing information on which kinds of errors are transitional and which may require attention in teaching.

What are the stages of a speaking lesson?

Question:

Submitted by Tourya Saada, Morocco

What are the stages of a speaking lesson?

Professor Richards Responds:

It depends of what kind of speaking activity it is and what the demands are of that activity. For example in their Book Teaching Speaking, Goh and Burns recommend a seven-stage cycle of activities in a speaking lesson:

    1.     Focus learnersattention on speaking: Students think about a speaking activity, what it involves and what they can anticipate.

    2.     Provide input and/or guide planning: This may involve pre-teaching vocabulary, expressions or discourse features and planning for an activity they will carry out in class (e.g. a presentation or a transaction).

    3.     Conduct speaking task: Students practise a communicative speaking task with a focus on fluency.

    4.     Focus on language/skills/strategies: Students examine their performance or look at other performances of the task, as well as transcripts of how the task can be carried out, and review different features of the task.

    5.     Repeat speaking task: The activity is performed a second time.

    6.     Direct learnersreflection on learning: Students review and reflect on what they have learned and difficulties they encountered.

    7.     Facilitate feedback on learning: Teacher provides feedback on their performance.

New Zealand Composers

nz-school-musicDr. Richards is an enthusiastic art and music lover and supporter of activities such as the Tiromoana Summer Concerts and the New Zealand School of Music Composer in Residence.

“Composers are often dependent upon commissions to enable them to devote time to full-time work on significant pieces. Many famous works in the musical repertoire resulted from private commissions, and in recent years I have begun sponsoring a range of both small-scale as well as larger-scale works by New Zealand (or New Zealand-based) composers, in order to help them enrich the New Zealand musical landscape.”

Jack C Richards Decorative Art Gallery opens

20-DSC_2614The new Jack C Richards Decorative Art Gallery, part of the Tairawhiti Museum in Gisborne, New Zealand, opened on 16th May, 2014.

See here for more about the gallery and the collections in it.

See here for a video about the new gallery.

Kiri Te Kanawa’s birthday

Patronage

Jack Richards and Kiri Te Kanawa at a function at the Royal Opera House, London, in March, to celebrate Dame Kiri’s birthday and long association with the Royal Opera House

Kiri Te Kanawa Foundation

Since 2011 Jack has become a patron of the Kiri Te Kanawa Foundation, and provides an annual grant to the foundation to support Dame Kiri’s work with young opera singers.

Dr. Richards appears in this promotional video for the Kiri Te Kanawa Foundation…

Gareth Farr

gareth-farr-composerJack commissioned a piano concerto by leading New Zealand composer Gareth Farr. The first performance of the Concerto for Piano and Orchestra was performed with the New Zealand Symphony Orchestra on March 28, 2014, with pianist Tony Lee. Read a review of the concerto here.

Gareth Farr Concerto

Orchestra-Review_IPThe first performance of Gareth Farr’s Concerto for Piano and Orchestra, commissioned by Jack Richards, was performed with the New Zealand Symphony Orchestra and pianist Tony Lee  on March 28, 2014. The concerto has received rave reviews on its first performance. Read the reviews here, here and here.

MEXTESOL Journal celebrates its 40th anniversary

MEXTESOL JournalThe journal of the Mexican TESOL Association – MEXTESOL Journal – will shortly celebrate its 40th anniversary. To celebrate the anniversary the journal will add a special feature to each issue, described as “A Vintage Article–an article that has had great influence on our readers or that has a place in the history of ELT.” They have chosen to feature an article by Jack Richards published  in the journal in 1994 entitled Teacher Thinking and Foreign Language Teaching.

New Educational Consultant role

Professor Richards has been invited to serve as en educational consultant to Cambridge English Teacher – an on-line teacher development site for English teachers – a joint project of Cambridge University Press and Cambridge ESOL. Professor Richards will be involved in planning new courses to be made available on CET and will also be able to respond to questions from members of CET. For more information see here.

Toihoukura School of Contemporary Arts

ToihoukuraJack Richard’s home town of Gisborne, New Zealand, has a long tradition of excellence in Maori arts.

Many of the finest examples of carved and painted meeting houses (known as Marae) in New Zealand are located in the district, and the region is home to a number of nationally renowned Maori carvers, weavers, ceramists and specialists in other fields of Maori art.

The local Polytechnic in Gisborne has a school of contemporary Maori art, called Toihoukura. It offers a range of courses in contemporary Maori art and design. Tutors in the program are nationally recognized leaders in the field of contemporary Maori art.

In order to facilitate participation by Maori students in Toihoukura programs and to encourage the wider recognition of the quality of work produced by students in Toihoukura, Professor Richards offers annual scholarships to students in the program and sponsors special commissions and awards.

Evaluating a Text Book

Question:

Submitted by Mehdi S, Iran

What procedures can we use to evaluate a published textbook?

Dr Richards responds:

Textbook evaluation can be divided into separate phases: pre-use (also known as pre-evaluation), during use (or in-use) and after use (or post-use).

Pre-evaluation: analysis
Most textbook evaluation schemes distinguish two essential stages that are necessary at the pre-evaluation phase: a description or analysis phase, and an interpretation or evaluation phase. In the first phase, the contents of the book have to be carefully described in terms of scope and sequence, organization, and the types of texts and exercises contained within. The analysis phase will involve identifying these kinds of information:

  • Aims and objectives of the book.
  • Level of the book.
  • Skills addressed.
  • Topics covered.
  • Situations it is intended for.
  • Target learners.
  • Time required.
  • Components.
  • Number and length of units.
  • Organization of units.

Pre-evaluation: evaluation
This stage of evaluation is more difficult since it involves subjective judgements, and these often differ from one person to another. For this reason, group evaluations are often useful. A number of checklists have been developed to assist at this stage of Pre-evaluation. However, checklists involve somewhat subjective categories and usually need to be adapted to reflect the particular book under consideration. In general, textbook evaluation addresses the following issues:

Goals: What does the book seek to achieve and how clearly are its learning outcomes identified?
Syllabus: What syllabus framework is the book based on? Is the syllabus adequate or would it need to be supplemented (e.g. through additional activities for grammar or pronunciation)?
Theoretical framework: What language-learning theory is the book based on? Does it present an informed understanding of any underlying theory?
Methodology: What methodology is the book based on? Is it pedagogically sound?
Language content: What kind of language does it contain and how authentic and relevant is the content? Is it an appropriate level of difficulty for the learners?
Other content: What topics and themes are covered and are they appropriate for the target learners?
Organization: Is the book well organized into units and lessons, and within lessons are the purposes of activities clearly identified? Do units have a coherent, consistent organization and do they gradually progress in difficulty throughout the book?
Teacher appeal: Does the book look easy to teach and is it self-contained, or would the teacher need to develop supplementary materials to use with it? Would it require special training or could it be used by teachers with limited experience, and by both native-speaker and non-native-speaker teachers?
Learner appeal: How engaging would it be for learners? How would they rate the design of the book (including the photos and illustrations), the topics and the kinds of activities included? Is the material clearly relevant to their perceived language-learning needs? Are self-study components included?
Ancilliaries: What other components does the book include, such as teacher’s book, workbook, tests, and digital and web-based support? Are all of these components published and available?
Price: Is the book affordable for the intended buyers?

When a group-evaluation process is used, all of the issues above and others specific to the teaching context can be discussed, and if several books are being considered, a consensus reached on the book that most suits teachers’ needs. The decision may not rest entirely on the book’s merits. For example, if students are known to use a certain coursebook in private high schools, the book may be rejected for use in private-language programmes that attract university students.

Evaluating during and after use
In-use evaluation focuses partially on the global needs of the institution: if testing is important, the comprehensive nature of the tests may be evaluated closely; if lab work is important, the pedagogical effectiveness and comprehensiveness of the online components may be evaluated in depth; if the school transitions students from a younger-learners programme to an adult programme, the ease of the transition from the coursebook for younger learners may be reviewed.

In terms of the classroom experience, however, and overall learner satisfaction, in-use evaluation focuses on how well the book functions in the classroom, and depends on monitoring the book whilst it is being used by collecting information from both teachers and students. Information collected can serve the following purposes:

  • To provide feedback on how well the book works in practice and how effectively it achieves it aims.
  • To document effective ways of using the textbook and assist other teachers in using it.
  • To keep a record of adaptations that were made to the book.

This monitoring process may involve ongoing consultation with teachers to address issues that arise as the book is being used and to resolve problems that may occur. For example:

  • Is there too much or too little material?
  • Is it at the right level for students?
  • What aspects of the book are proving least and most effective?
  • What do teachers and students like most or least about the book?

Various approaches to monitoring the use of a book are possible:

  • Observation: Classroom visits to see how teachers use the book and to find out how the book influences the quality of teaching and learning in the lesson.
  • Record of use: Documentation of what parts of the book were used or not used and what adaptations or supplements were made to the book and why.
  • Feedback sessions: Group meetings in which teachers discuss their experiences with the book.
  • Written reports: The use of reflection sheets, or other forms of written feedback (e.g. blogs and online forums), in which teachers make brief notes about what worked well and what did not work well, or give suggestions on using the book.
  • Teachers’ reviews: Written reviews by a individual or groups of teachers on their experiences with the book, and what they liked or didn’t like about it.
  • Students’ reviews: Comments from students on their experiences with the book.

Post-use evaluation serves to provide information that will help decide if the book will continue to be used for future programmes.
Detailed information from textbook-evaluation processes, often conducted over a lengthy period, is a primary source of input when publishers decide to develop new editions of textbooks. Therefore, teachers may have a profound effect on the future direction of textbooks they are currently using.